Freelance writer and poet from London; if you would like to read my poetry, please check out my book, 'Poems on the Page', available from goo.gl/Ta4oAX.
Diversity in culture, theme and mood
'Three Daughters', 1961, Satyajit Ray Source: British Film Institute
At the end of every film, you get a long list of names scrolling down the screen. This a list of all the people who made the film possible; the ones who spent countless hours filming, acting, writing, editing, etc. The amount of time it takes of the credits to come to an end, just indicates what an an enormous undertaking making a film is. Hundreds of people are involved. At least most of the time.
The Indian filmmaker, Satyajit Ray (1921-1992), was an incredible man. He made movies all by himself. When you watch the credits, you will only ever see one name:
Writer: Satyajit Ray Director: Satyajit Ray Cameraman: Satyajit Ray Lighting: Satyajit Ray Costume Designer: Satyajit Ray Editor: Satyajit Ray
A collection of his films are being screened as part a two-part series at the BFI South Bank until the 5th October, with tickets costing between £8.50-£12.10. Having been brought up with both a Bengali and English education, Ray's films have flavours of both Indian and Western culture; they are topical, political, and very human.
Not true in entirety: most of Ray's early and most memorable films were cinematographed by the venerable Subrato Mitra (credited with the innovation of bounced light, even before Sven Nykvist tried it), till they parted ways. Ray called Mitra back again when he decided to film "Kanchanjangha" in color.
All his films were edited by Dulal Dutta.