Fall of the Kingdom, Rise of the Foot Soldier - RSC Review

Fall of the Kingdom, Rise of the Foot Soldier - RSC Review

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Posted 2016-08-12 by Alison in Birmingham follow

Thu 11 Aug 2016 - Sat 27 Aug 2016

It struck me that although this provocative new play was based around the theme of what is "unsayable" in current times, a lot of the extreme comments made by some characters are what we've been hearing from politicians in recent months.



Fall of the Kingdom, Rise of the Foot Soldier opens with images flashing on stage including those of former BNP leader Nick Griffin and UKIP leader Nigel Farage to set the scene.

Faceless politicians appear in the storyline too but their suited bodies wear large cardboard boxes for heads, which actually makes them seem all the more aggressive and menacing.

Written by Somalia Seaton, who also wrote Crowning Glory, this is a new play for the RSC's Making Mischief Festival at The Other Place studio theatre in Stratford upon Avon.



Directed by Nadia Latif, the story examines the difference between patriotism and racism; what happens when you deny people a voice and the notion of Englishness.

At the centre of it is Black student activist Aisha - an excellent Donna Banya giving a powerful performance. Aisha has already been isolated at school due to a blog but has committed a violent crime before ending up on the doorstep of her female teacher Hawkins.

Laura Howard, who many will recognise from her role as Inspector Barnaby's daughter Cully in long-running British crime-mystery drama Midsomer Murders, plays Hawkins with a suitable amount of middle class angst and self-righteousness. Even from the start of the play, she is on edge from being constantly at odd with the views of her outspoken boyfriend Archie (Ifan Meredith).



As the story progresses, Hawkins apologises for him more and more, especially when he confronts Asian teacher Shabz over whose side she's on and how he feels unheard despite being the white majority.

Jumping back and forth between the past and present, the audience sees how Aisha's case becomes hijacked by local politicians, whose language quickly becomes more and more vitriolic. But as the plot carefully unfolds, there is also a deeper understanding of why Hawkins is so wracked with guilt over Aisha and it takes her teacher friend Shabz (Syreeta Kumar) to set her straight and face up to some uncomfortable truths.



I particularly liked how Seaton cleverly leaves the audience to fill in the gaps of situations that are touched on but not revealed in detail. It also puts weight on the importance of what's not said rather than what is - turning this play's theme of what's unsayable on its head.

Provocative and arresting, Fall of the Kingdom, Rise of the Foot Soldier is a well constructed, intelligent piece of work that you won't want to miss.

RATING: & #9733 ;& #9733 ;& #9733 ;& #9733 ;& #9734 ;
Fall of the Kingdom, Rise of the Foot Soldier
Studio Theatre@The Other Place
Stratford-upon-Avon
Until August 27 as part of the RSC's Making Mischief Festival.
Running time: 1 hr (no interval)
Tickets cost £15 from the RSC website or at the door.

#festivals
#performing_arts
#theatre
#theatre -reviews
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#west_midlands
#august
!date 11/08/2016 -- 27/08/2016
%wnbirmingham
68592 - 2023-01-26 01:31:56

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