Einstein on the Beach, Angel’s Bone, Albert Herring, Così Fan Tutte are on the bill for the English National Opera’s (ENO) new programme, which is enabling it to be firmly established within Greater Manchester by 2029.
Mezzo-soprano Idunnu Münch at Manchester Piccadilly station. James Speakman_PA Media Assignments.
In addition to the operas themselves, a Greater Manchester Youth Opera Company will be created to work with young people, aged 13-19, from across the city-region.
Local football teams will also be invited to line up with ENO, as part of a project to explore the impact that mass singing has on team performance and spectator experience.
Andy Burnham, Mayor of Greater Manchester, said: “”We’re thrilled to welcome English National Opera to our city-region, as a partner in our ambition to inspire the younger generation and create real opportunities for our young people.”
Speaking at a launch event, the mayor referred to an 'awkward' start to the ENO and Manchester relationship. In 2022, the Arts Council attached future funding to a Manchester move. This sparked opposition from both within the ENO and some London-based media, especially after the ENO was offered only 50% of its current funding, while being expected to head North West.
The mayor acknowledged he may have said 'if you don't want to come then don't', in response to protests, when the partnership was first announced. But he pointed to how much work the ENO has done to develop its Manchester programme. This followed an agreement, last year, between the ENO and Arts Council England, in which £24m was awarded to the company, to develop an artistic programme in a new base outside of London.
Speaking about the Manchester partnership, Jenny Mollica, Chief Executive of ENO, said: “Working together over the last year, we could not be more clear that Greater Manchester is the right place to put down roots, a place where we can develop, expand and innovate.”
The first wave of projects and partnerships announced are:
A new experiential production of Philip Glass and Robert Wilson’s opera Einstein on the Beach, premiering in Spring 2027.
The UK premiere of Angel’s Bone, by Du Yun and librettist Royce Vavrek, which draws inspiration from a range of musical genres from classical to cabaret and punk - at Aviva Studios in May 2026.
Benjamin Britten’s classic comic ensemble opera Albert Herring, performed with the Orchestra of English National Opera. It will open in October 2025, at Lowry.
A newly staged concert version of Mozart’s Così Fan Tutte at The Bridgewater Hall in February 2026.
The creation of a Greater Manchester Youth Opera Company, to invest in the opera-makers of the future - working with young people aged 13-19 from across the city-region, from backgrounds underrepresented and underserved in the arts.
PERFECT PITCH, a celebration of opera and community football, exploring the impact that mass singing has on ‘team performance and spectator experience’, starting in Summer 2025.
A city-region wide expansion of ENO Breathe, originally created for people recovering from COVID-19, to support people living with other respiratory conditions.
The establishment of new programmes, designed to ‘champion innovation in opera-making’, including development labs designed to explore new forms of opera - launching in Spring 2026.
ENO Engage, including Finish This…, working with 30 schools across Greater Manchester this academic year, with further expansion in 2025/26.
Collaboration with Factory International through its Factory Academy training programme, offering vocational training opportunities for young people living in Greater Manchester, from backgrounds underrepresented in the arts.
The University of Manchester and the ENO will work together on Tuning into Opera - exploring the opportunities for the artform and discuss what it means to have an opera company based in the city-region. The first public conversation event will take place at Manchester International Festival (MIF), in July 2025.
A collaboration between the Chorus of the ENO and the Hallé. for the Manchester Classical festival at The Bridgewater Hall in Summer 2025.
Soprano Gabriella Cassidy at Manchester Piccadilly station. James Speakman, PA Media Assignments.
English National Opera traces its beginnings back to 1931 when producer and manager, Lilian Baylis (1874 –1937) established the Sadler’s Wells Opera Company, at the newly reopened Sadler's Wells Theatre. Baylis had been presenting work in London since 1898 and wanted to give audiences the best theatre and opera at affordable prices.
In 1974, having relocated to the London Coliseum, the Company was renamed the English National Opera (ENO). It is still based at the London Coliseum, St Martin’s Lane, in London’s West End.
The ENO does not currently have its own venue or office in Manchester but will work with existing spaces to host its recently announced partnership programme.
Ticket information and on-sale dates for the ENO in Greater Manchester, will be announced 'in due course'.
SING By Carol Ann Duffy
(for the arrival of the ENO in Greater Manchester)
Past, present, future make a chord.
We sing, you sing, in Time;
stories fused by music and word -
the herbs of an English rhyme
season the dramas of the world,
and everywhere is home.
This art we serve is who you are,
the audience as star.
The life we relish or endure,
vivid in opera;
so what we did not know we knew
becomes an aria.
Nothing is lost to us we cannot sing.
Let us begin.