Yasmin Paige makes up for Lauren's lack of dialogue by conveying her reactions in glances and self-consciousness in her hunched posture. As the play develops she gradually starts to find her own voice and express her opinions.
In one hilariously excruciating scene, Lauren is made to embody a baseball glove in Schultz's recreation of his childhood bedroom.
Amelia Bullmore (Marty) and Anthony Ofoegbu (James) in Circle Mirror Transformation by Annie Baker, directed by Bijan Sheibani, at HOME Manchester, Fri 2 - Sat 17 March 2018. (Photo by Marc Brenner
Anthony Ofoegbu also conveys unease with aplomb, without actually saying much. He is Marty's husband, James. He looks as though he has been guilt-tripped into making up the numbers in his wife's class.
Annie Baker's play was first performed in New York in 2009. There are warnings of 'strong language' in the HOME foyer. This made me think we were in for a night of 'edgy comedy' - which can often mean self-important theatre. Instead, Annie Baker's comedy comes from the way real life is just exaggerated a little bit to unlock the humour.
It's the kind of comedy which Amelia Bullmore played effortlessly in the BBC 'Olympic Deliverance' spoof Twenty Twelve.
Amelia Bullmore (Marty, foreground), Sian Clifford (Theresa), and Anthony Ofoegbu (James) in Circle Mirror Transformation by Annie Baker, directed by Bijan Sheibani, at HOME Manchester, Fri 2 - Sat 17 March 2018. (Photo by Marc Brenner)
The laughs in Circle Mirror Transformation don't come at the expense of mocking the characters and their predicaments and aspirations. We want to find out how their real emotions will interplay with the acting - or should that be icebreaker - exercises Marty requires of them.
Marty is a fascinating character. She wears an enigmatic smile, which leaves us wondering if the class members are serving her ulterior purposes or if she is the main victim of her apparent need for the group to reveal more and more of their inner lives.
Circle Mirror Transformation, directed by Bijan Sheibani, runs for one hour and forty five minutes without an interval. Its linear structure could make it feel plodding. This isn't the case because of the injection of a little more tension into the group dynamic with each short scene
The awkward silences are intrinsic to the drama and not a result of stilted acting and audience indifference. The cast members must have learnt a lot at drama school.
Left to right: Yasmin Paige (Lauren), Sian Clifford (Teresa), Anthony Ofoegbu (James), Amelia Bullmore (Marty) and Con O'Neill (Schultz) in Circle Mirror Transformation by Annie Baker, directed by Bijan Sheibani, at HOME Manchester, Fri 2 - Sat 17 March 2018. (Photo by Marc Brenner)