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Cinderella by Birmingham Royal Ballet - Review

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by Alison Brinkworth (subscribe)
Freelance journalist in Birmingham with a passion for the dynamic theatre, art, food and fashion scene in Britain's 'Second City'.
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Fairytale Romantic Ballet Sweeps You Off Your Feet
The return of David Bintley's enchanting ballet is a fairytale come true for many who have long-awaited its return.

cinderella, BRB, Birmingham Royal Ballet, tour 2017, Birmingham Hippodrome
Magical scenes in Cinderella ballet.


I caught Cinderella at Birmingham Hippodrome, where it is performed from February 15 to 25, before touring to The Lowry in Salford, Plymouth's Theatre Royal and the Sunderland Empire until late March.

Choreographer Bintley recently admitted that he created Cinderella under duress in 2010 to the music of Sergei Prokofiev. He had vowed not to do it unless the stage designs would be by retired John Macfarlane, who created sublime sets and costumes for Birmingham Royal Ballet's world famous Nutcracker. When Macfarlane caught Bintley off guard and agreed to do the designs, it led to a breath-taking vision on stage that quickly became an audience favourite.

This Birmingham Royal Ballet (BRB) production opens with stark imagery of a beautifully painted stormy sky looming over the tombstone of Cinderella's mother and the menace of her soon to be step-family looming nearby. It's a hint of the grandeur to come.

We move on to find Cinderella years later in her dismal, grey basement, but don't lose heart as this simple set will be a strong contrast with the lavish scenery and costumes to come.

cinderella, BRB, Birmingham Royal Ballet, tour 2017, Birmingham Hippodrome
Visually stunning scenes in BRB's Cinderella


In the original, Bintley used the-then BRB principal dancer Elisha Willis as his muse for Cinderella, but as she retired last year, taking on the lead role is the delicate precision of Momoko Hirata.

She has the right waif-like quality for hard-done-by Cinders, who is being bullied by the extremely comical step-sisters Skinny and Dumpy. While this pair's meanness should make them dislikeable, their outrageousness is also charming and a highlight of the production. They are where Bintley put his distinctive stamp on the character-driven dance elements of the show.

When the fairy godmother appears, the magic starts to happen as the grey walls make way for a starry night where mice, frogs and lizards dance and the audience is quickly lured into an enchanted world where a pumpkin can turn into a glistening carriage.

cinderella, BRB, Birmingham Royal Ballet, tour 2017, Birmingham Hippodrome
Dancing animals are among the characters in Cinderella


The Second Act opens with the luxury of the Prince's ball where Skinny and Dumpy are making a glorious show of themselves. It obviously takes a lot of talent by Samara Downs and Laura Purkiss (in a fat suit as Dumpy) to create an air of dancing badly while actually carrying off very difficult steps.

But not even their hilarious antics can detract from the stunning makeover of Cinderella into the shimmering beauty that steals the Prince's heart. Impressive Joseph Caley as the Prince has a wonderful chemistry with Hirata and all their pas de deux feel dizzingly romantic.

But time waits for no man (or Cinderella) and the approach of midnight is one of the most distinctively choreographed in ballet. There's a touch of modernity in the imagery as sections of a huge metal clock face slowly fit together and loom over the stage to countdown to the witching hour.

Meanwhile, the ball guests move their arms like hands of a clock and create an emotional tension on stage for the heroine's fate. It's a truly memorable end of the Second Act.

cinderella, BRB, Birmingham Royal Ballet, tour 2017, Birmingham Hippodrome
A modern clock is a strong image on stage


It's a short final act to wrap everything up as we return to Cinderella's basement where the Prince comes calling with the discarded glass slipper.

Time for Hirata and Caley to dreamily dance the audience into a romantic frenzy before walking off into a bright new future.

This two and a half hour ballet is much more funny and personality driven than The Nutcracker, while still maintaining a strong emphasis on romance.

Birmingham Royal Ballet's Cinderella is a timeless, magical production that sweeps you away. The show makes you feel as though you have stepped right into the heart a romantic fairytale.

RATING:

Cinderella By Birmingham Royal Ballet
Prices from 16.See the BRB website for ticket information.

Birmingham Hippodrome
15 - 25 February, 2017

The Lowry, Salford
1 - 4 March, 2017

Theatre Royal, Plymouth
8 - 11 March, 2017

Sunderland Empire
16 - 18 March, 2017
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Why? See a magical fairytale ballet
When: touring Feb to March 2017
Phone: 0121 245 3500
Where: On tour including Birmingham Hippodrome
Cost: From 16
Your Comment
I really want to see this! I love ballet anyway but the set and costumes make this look spectacular!
by Jay Johnson (score: 3|1364) 367 days ago
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